ABOVE PHOTO: Nefertite Nguvu
Interview with Kam Williams
Nefertite Nguvu is a graduate of New York’s School of Visual Arts, where she obtained a B.F.A in Film. Her thesis project at SVA won the award for outstanding screenplay. Nguvu has written, produced and directed two short films: a uniquely stylized black and white romance entitled “I Want You,” and “The End of Winter,” an emotional meditation on loss, both of which screened at numerous film festivals.
Amongst other web-based programming, Nguvu also directed a 10-part web series featuring Queen Latifah for Cover Girl and Flavor Unit Entertainment entitled “U.N.I.T.Y. Re-ignighted,” “Love Star,” a mini-music documentary, as well as an eight-part web series entitled “Black America Again,” featuring Academy Award-winner Common for Universal Music and Freedom Road Productions.
As a writer/director/producer, Nguvu made her feature film debut with “In The Morning,” a film about love and its inevitable change and decline charting the emotional anatomy of several relationships over the course of one day. “In The Morning” delves into the emotional landscape of contemporary Black life in a way rarely seen in modern cinema.
The picture debuted at the Urban World Film Festival in New York City and won the “Audience Award for Best Feature Film.” After a string of successful film festival screenings across the country and in Paris, Rome and Johannesburg, the film also won the award for “Best International Film” at the Terra Di Siena Film Festival in Italy, “Best Narrative Feature” at the BlackStar Film Festival in Philadelphia, and “Best Feature Film” and “Best Overall” at the Bronzelens Film Festival in Atlanta. The film is now available worldwide via Video on Demand.
“In The Morning”
To find out about future screenings of “In the Morning” elsewhere around the country, visit: http://inthemorning-thefilm.com/
Kam Williams: Hi Nefertite, thanks for the interview.
Nefertite Nguvu: It’s my pleasure, Kam. Thank you for taking the time.
KW: What inspired you to write “In the Morning?”
NN: I was very inspired by the women in my life. I wanted to make a film that reflected and honored the women I know. There are so many overlooked narratives when it comes to Black women. “In the Morning” is my love letter to women: beautiful, smart, elegant, vulnerable, sensitive, complex Black women who don’t often get to see themselves in movies.
KW: How would describe the film in 25 words or less?
NN: Our film is about something we’ve all wrestled with, this terrible and beautiful animal: love. It explores romantic love, but it’s ultimately about the power of self-love.
KW: How did you go about assembling your cast?
NN: Our cast came together pretty organically. We were working with a small budget, so there was no casting director. I reached out to members of my filmmaking community for recommendations: Emayatzy Corinealdi, JoNell Kennedy and Jacky Ido came to me that way. I also chose to work with some artists I’ve known for awhile whose work I loved, like De’Adre Aziza, Kim Hill, Numa Perrier and C.J. Lindsey. I feel very lucky to have this lovely and talented ensemble cast.
KW: I interviewed Emayatzy for “Roots.” She was nominated for an NAACP Image Award this year for her performance in the miniseries. Why did you pick her to play Cadence in your film?
NN: It’s great to see her continue to shine. I chose her for many reasons. Emayatzy brings a lot to our film. She is quite beautiful and brings a delicate balance of hubris and humanity that draws us into the complex emotional world of her character, Cadence. She’s wonderful!
KW: What message do you want people to take away from the film?
NN: “In the Morning” explores the lives of beautiful but imperfect people navigating their way through life and love challenges, without placing judgments on anyone. We are all human and therefore all flawed. Our message is really about deepening connection, intimacy and empathy. More than anything else, I want our audience to see true and deep reflections of themselves.
KW: You wrote, directed and produced “In the Morning.” What was it like having to juggle all those responsibilities?
NN: As a first time feature filmmaker, it was daunting. But I was incredibly determined to get this film made. So, I threw myself wholeheartedly into each of these responsibilities and worked very hard. It was not easy to manage it all. Luckily, I had a lot of support. I’m so proud of the film we made.
KW: How long did it take to make the movie?
NN: Though it’s been a five-year journey from script to screen and now to wider distribution, we shot the film in Brooklyn in just eight days.
KW: What’s your next project?
NN: I’ve got two short narrative projects I’m working on now that I’m very excited about. One I’m in post-production on entitled, “Myself When I am Real,” and another I’ll be shooting this summer in collaboration with AT&T as part of their “Hello Lab” program.
KW: What’s your dream project?
NN: I’d love to adapt one of James Baldwin’s novels. That would be a dream project, for sure.
KW: AALBC.com founder Troy Johnson asks: What was the last book you read?
NN: The last book I read was filmmaker Kathleen Collins’ recently published book of short stories entitled, “Whatever Happened To Interracial Love.”
KW: The music maven Heather Covington question: What was the last song you listened to?
NN: Frank Ocean’s cover of “At Your Best.” I’m kind of obsessed with it!
KW: Ling-Ju Yen asks: What is your earliest childhood memory?
NN: My earliest childhood memory is probably walking while holding the hands of my father and my sister.
KW: Was there a meaningful spiritual component to your childhood?
NN: Yes, my mother was a very spiritual person and she made that a very grounding component of my upbringing.
KW: Who loved you unconditionally during your formative years?
NN: I am very fortunate in that I felt loved unconditionally by my entire family.
KW: What is your favorite dish to cook?
NN: I don’t often have a lot of time to cook, usually a quick tofu and veggie stir-fry is my go to!
KW: Sherry Gillam would like to know what is the most important life lesson you’ve learned so far?
NN: To stay the course.
KW: When you look in the mirror, what do you see?
NN: I see a lot of the faces of the women in my family and my father’s eyes.
KW: If you could have one wish instantly granted, what would that be for?
NN: I’d wish for a just world.
KW: Is there any question no one ever asks you, that you wish someone would?
NN: Not that I can think of… other than, work-wise, I’d love for someone to ask if they could finance my dream project!
KW: Harriet Pakula-Teweles asks: With so many classic films being redone, is there a remake you’d like to direct?
NN: There are so many these days, which I think has been a great way to introduce some films to a new audience. It’s daunting to think about taking on a classic, but one I’ve always loved that I think would be interesting to redo is “Elevator To The Gallows.”
KW: Judyth Piazza asks: What key quality do you believe all successful people share?
NN: The key quality that stands out to me for many is grit.
KW: Finally, what’s in your wallet?
NN: Ha! The usual necessities, and a ton of receipts from a shoot this past weekend.
KW: Thanks again for the time, Nefertite, and best of luck with all your endeavors.
NN: Thanks so much, Kam.
To see a trailer for In the Morning, visit: https://vimeo.com/213676676
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